Silk For Sale



POTIONS “PUSHING THE CUBOID” CS (SILK092) $6

Eight new nubby acid permutations by Chicago’s premiere liquid electric projectionist, Potions. Sourced from a set-list of 2015 live staples, Pushing The Cuboid expands Tom Owens’ melting microchip fusion to include a more warped spectrum of bubbling concoctions. Recorded to a Tascam 4-track and digitally mixed with limited overdubs, the album oil-spills an array of fantastical wavelengths: moonbase monorail cruise (“Heel Lift,” “Space Mountain”), rubbery sarcasmic jazz (“Goof Forward,” starring Rob Frye of Bitchin’ Bajas on multi-tracked horns), outer rings cosmos shuffle (“Cool Ride”), cyber warehouse lurch (“Detroit Heart Strings”), etc. As always with Potions, there are no solid states, only alchemic flux – dissolving textures, rhythmic wobble, heavy phasing, cuboids pushed through unstable grids. In addition to Frye (whose flute and bass clarinet color the entire B Side), PTC also shows influence from Owens’ visual collaborator, Jillian Musielak, who projects mutating textural environments during performances. Speaking of: a string of spring dates throughout the heartland and west coast have been mapped to occasion the new release – catch his morphing electricities live if geographies allow. Edition of 100.



PLEASURE MODEL “KENDO DYNAMICS” CS (SILK090) $7

Bristol giallo disco meta-morphist Antoni Maiovvi flexes a fresh facet of his production arsenal as Pleasure Model, mapping leaner schematics of vintage cybernetic dread through stark drum machinery and cold fluorescent synthwork. Kendo Dynamics is his debut under this divergent replicant guise; it presents a persuasive world of fiber optic paranoia and technoid effacement. The album’s eight tracks trace various nuanced parallels of brooding arpeggiator jack (“Calmstone On Sea,” “Bealichtbach”), voidist new wave (“Mounnrocc,” “Dreams Of Crystal”), and blasted sci-fi body music (“Eat Itself,” “Abandonment Issues”), coaxing a mood of melancholic circuitry and souls on the brink. Data is DNA; every self, a subdivision. Slit the skin and count the pixels. One of Maiovvi’s finest futurist hours. Recorded at Mantueffelstr, Berlin, in Fall 2015. Edition of 100.



BUZ LUDZHA “BASSLINES FOR LIFE” 12″ (SILK086) $10

Buz Ludzha belongs to the “tape throb” lineage Andrew Morrison more prominently pioneers as The Cyclist, but filtered through an even more blasted, resinous speaker cone. His 2014 debut single on All City, Love Repetitive Rhythmics, traced the template but this newest EP, Basslines For Life, delivers on its title, going harder and stretching further into his unique splinter mode of wrecked EQ’s: grainy drum machinery, gain-streaked synths, decayed soul samples, motorik dancefloor manoeuvres in the dark. All four tracks are mixed hot and humid, swarming cassette textures churning over conveyor belts of blown-out bass, warehouse rhythm, and salvaged voice, jacking through body masses towards quaking systems you feel as much as hear. Communion demands desire; believe or be leaving. Black vinyl 12 inches with center labels designed by John Michael. Mastered by Eric Hanson. Edition of 188.



HUBERT CLARKE JR “AL DENTE” 12″ (SILK083) $10

Impressionistic dub-house devotee Hubert Clarke Jr. fluctuates through several deviations of Sydney afterhours circuit specialties on his debut, Al Dente. Alternately wired and unwound, classic and contempo, vibed soul and lean house, the EP threads soft-focus funk into longform live voyages, naturalist emotion, dance as relaxed delirium. The vocal samples (“I’m not into this to be traveling around the world / I’m not into this to impress anybody”) evoke a mood of reflective idealism, spirits undiminished, hope in spite of it all. Dusted with memories and reveries of Heavenly, Picnic, and Mad Racket parties, hallucinated Omar-S demos, newer Sex Tags sides, and various nations under a groove, HJC’s 4 originals (plus a remix by Adelaide vibe squad MBM) feel like a beginning, a submerged energy swelling to the surface. Black vinyl 12 inches in stickered sleeves designed by Peta Farago with smiley meatball illustrations by John-Henry Pajak and Geordie Cargill. Mastered by Eric Hanson. Edition of 175.

STILL RIPE:


JAMES BOOTH “HUMAN RITES” 12″ (SILK084) $10

Mancunian producer James Booth holed up in various Hulme flats and half-studios with nothing but an old iMac to craft the six lushly overcast house designs comprising his vinyl debut, Human Rites. And, as is sometimes the case, the limitations were liberating: “With all of my gear in storage I downloaded a couple of plugins and tried to breath some life into them… with none of my old dusty buttons and keys I ended up focusing more deeply on the melodies and sound of each instrument.” Building on the misty-lensed techniques of his 2013 SILK cassette, Reunion, Booth’s new set of tracks feel even more nuanced and rain-streaked, streetlights dissolving through night bus windows, suburbs and moors glowing grey in the motorway’s false dawn. Structurally these songs swirl more than peak – synth lines spiral woozily, rhythms flex and fade, emotions come in and out of focus. He sees it similarly, describing Rites as “music for processes and passages; time elapses and we change.” Personal music for an impersonal world. 33 RPM black vinyl 12 inches in SILK label jackets designed by Roland Tings. Mastered by Eric Hanson.


CHERUSHII “FAR AWAY SO CLOSE” 12″ (SILK081) $10

San Fran rave loyalist Chelsea Faith aka Cherushii centered her 2nd EP around its title track, which evokes some Balearic brunch dream sequence coasting in the ether off a Mediterranean isle – swooping shorelines, seagulls, liquid sky sax (courtesy of jazz multi-instrumentalist Marcia Miget), sex surfer acid. Escape as experience. The record’s other three cuts stake her map across varied terrains, from maximalist catwalk (“Set You Free”) to sensual moonlight (“Nightsteps”) to fogged up DJ booths (“Sweet Spot”). Far Away So Close finds Faith at her most focused and free, glitter in her eyes and the dancefloor in her fingers. Music for bodies in motion, no matter the ocean. In SILK label sleeves designed by Spencer Longo. Mastered by Eric Hanson.

Buz Ludzha Beams “Asteroid”

Silk For Sale


JAMES BOOTH “HUMAN RITES” 12″ (SILK084) $10

Mancunian producer James Booth holed up in various Hulme flats and half-studios with nothing but an old iMac to craft the six lushly overcast house designs comprising his vinyl debut, Human Rites. And, as is sometimes the case, the limitations were liberating: “With all of my gear in storage I downloaded a couple of plugins and tried to breath some life into them… with none of my old dusty buttons and keys I ended up focusing more deeply on the melodies and sound of each instrument.” Building on the misty-lensed techniques of his 2013 SILK cassette, Reunion, Booth’s new set of tracks feel even more nuanced and rain-streaked, streetlights dissolving through night bus windows, suburbs and moors glowing grey in the motorway’s false dawn. Structurally these songs swirl more than peak – synth lines spiral woozily, rhythms flex and fade, emotions come in and out of focus. He sees it similarly, describing Rites as “music for processes and passages; time elapses and we change.” Personal music for an impersonal world. 33 RPM black vinyl 12 inches in SILK label jackets designed by Roland Tings. Mastered by Eric Hanson.


CHERUSHII “FAR AWAY SO CLOSE” 12″ (SILK081) $10

San Fran rave loyalist Chelsea Faith aka Cherushii centered her 2nd EP around its title track, which evokes some Balearic brunch dream sequence coasting in the ether off a Mediterranean isle – swooping shorelines, seagulls, liquid sky sax (courtesy of jazz multi-instrumentalist Marcia Miget), sex surfer acid. Escape as experience. The record’s other three cuts stake her map across varied terrains, from maximalist catwalk (“Set You Free”) to sensual moonlight (“Nightsteps”) to fogged up DJ booths (“Sweet Spot”). Far Away So Close finds Faith at her most focused and free, glitter in her eyes and the dancefloor in her fingers. Music for bodies in motion, no matter the ocean. In SILK label sleeves designed by Spencer Longo. Mastered by Eric Hanson.

STILL SHIPPIN’:


ROCHE “STILLHOPE” 12″ (SILK062) $9

San Fran synth sensei Ben Winans aka Roche ventures further into his arcane hardware labyrinths on Stillhope, his second slab of mind-wired Pacific house for 100% Silk. As always with his work there’s a great sense of spaciousness and flow, coastal fog billowing around Alcatraz and over Land’s End, invisible currents taking control. “Stillhope” and “The Medicine” skew more towards the hazed and zen, cliffside smoke seances rendered via samplers and circuitry, percussion patterns ghosting through hidden lunar cycles, while “Change” brings back the bass, riding an acid-funked electric slide into a chorus of street soul chanting. Closer “Theme For Ikaros” leaves the bay (and earth) behind, a techno spy theme for hijacking a distant moon base, filtered arpeggios ramping the suspense against a steady stalker’s pulse until it all dissolves in dubby echoes, a stark clap, and a sample whispering about “the essence of life.” Even in deepest space, there’s Stillhope. Black vinyl 12 inches in SILK label sleeves designed by Luke Brown. Mastered by Eric Hanson.

Boiling Rooms


New + unreleased 2015 trax from SILK HQ for Boiler Room

Cook’s SILK Hour Mix


—-100%SILK HOUR—
HOUSE OF NEED – LES LEVEL
FLOAT KEYS – OCTO OCTA
FLUTTER & MOAN – PHARAOHS
WHATEVER – POLYSICK
ONLY FOR TONITE (ORIGINAL INSTRUMENTAL MIX) – ITAL
FROM A DREAM (MAGIC TOUCH REMIX) – ITAL
CLUBHOUSE (WITH HONEY OWENS) – MAGIC TOUCH
FLAVORED BEATS – SIR STEPHEN
LET ME SEE YOU – OCTO OCTA
PSYCHO ZOMBIE DREAMS – ROCHE
WETDEVIL – SFV ACID
VEIL (VERSION) – COSBY
PANORAMA – STRATEGY
REMOVAL ACID – VERTICAL67

Sunset Mix

SILK: The Film

SILK: THE FILM – DIGITAL RENTAL & PURCHASE
(via VHX) $1.99 / $6.99 / $7.99

SILK, the 100% Silk documentary and dance film, is available through VHX and Amazon Instant Video. Shot over two years, the film follows four acts from the label – LA Vampires, Ital, Magic Touch and Maria Minerva – across a lengthy 2012 tour of the UK, Europe and Russia. SILK chronicles the performances, environments, and scenes they passed through: congested underground Parisian clubs, motorcycle showrooms in Bristol, abandoned industrial lots in Moscow, afterhours Berlin compounds, re-purposed World War II gun towers in Hamburg, plus large international festivals (Distortion in Copenhagen, Sonar in Barcelona). The film is punctuated by staged dance sequences conceived, choreographed, and performed by Mecca Vazie Andrews and the Los Angeles Contemporary Dance Company. SILK premiered in 2013 at CPH:DOX in Copenhagen and subsequently screened at the Louisiana Museum of Modern Art in Denmark, as well as la Gaîte Lyrique in Paris. SILK was an official selection at the 2014 Amsterdam Dance Event, Melbourne International Film Festival, and Planete + Doc Film Festival in Poland. The SILK: DELUXE package includes the film as well as four exclusive live sets from the tour by each of the featured acts.